1. multiFace - Super River
2. Tyson's High School - Guided By Voices
3. No.1 Against The Rush - Liars
4. The End Of The World Is Bigger Than Love - Jens Lekman
5. Freaking Out the Neighborhood - Mac Demarco
6. The Unpaid Extras - Spencer Owen
7. Shallows - The Mallard
8. Waving At Airplanes - Guided By Voices
9. Applesauce - Animal Collective Centipede Hz
10. Temple Of Unfed Fire - Pepe Deluxé
11. Point of You - Super River
12. In The Dark - Nite Jewel
13. Moving Like Mike - Mac DeMarco
14. Radiation - Sunfighter Sweet Machine
15. Is This The Best Spot - Ariel Pink's Haunted Graffiti
16. Traveling - Tennis Young And Old
17. Scarf - Colin O'Brien-Lux
18. All Of This Will Go - Guided By Voices
Sorry my technology is not good enough to have it to you. It's all pretty obvious stuff, and if it's not you can probably download it for free on bandcamp. If you know me personally I'll hook you up.
Also, didn't mention reissues at all this year. They're pretty much all I buy, but I never keep track of their dates. The Trypes Music For Neighbors is essential. Best thing I bought this year, maybe ever. If you're like me and grew up in suburban New Jersey you need to get it RIGHT NOW. If not you don't have to rush as much, but shouldn't waste any time.
Yes, you can also expect an all Guided by Voices list, what I would hope would have been the case if they only released on LP this year.
Monday, December 24, 2012
Thursday, December 6, 2012
End of the Year Lists
So as always there's a lot I haven't check out yet. Guess what they are... Odd thing is this year really made me believe in new music, but it was mostly because of albums from other years. Especially last year. Last year was amazing, wish I noticed more at the time. This year, pretty good, but not as good. Doing a rush job as always.
Top 10 albums:
1. Super River - This One Reminds Me the Most of Us
Yeah, so what if my favorite album of the year is my own band's. I'm not gonna try to fool anyone into thinking otherwise.
2. Guided By Voices - The Bears For Lunch
3. Mac DeMarco - 2
4. Sunfighter - Sweet Machine
Not gonna pretend about my friends either.
5. Ariel Pink's Haunted Graffiti - Mature Themes
6. Animal Collective - Centipede Hz
Yeah, it's their weakest in a while, but still great, no need to be so harsh, everyone!
7. The Mallard - Yes On Blood
I hope they'll finally admit they're way better than Thee Oh Sees now.
8. Mac DeMarco - Rock and Roll Night Club
9. Guided By Voices - Class Clown Spots a UFO
This one has their best songs of the year.
10. Tame Impala - Lonerism
Top 5 Songs:
1. Guided by Voices - "All of This Will Go"
2. Super River - "Origami Heart" - not sure if I'm just being modest here, though.
3. Animal Collective - "Applesauce"
4. Swans - "The Seer"
5. Nite Jewel - "In The Dark"
These lists mean nothing. The best show I went to this year (or ever) was BIG (now Ewox)/Johnny's Retirement Fund in my living room.
Top 10 albums:
1. Super River - This One Reminds Me the Most of Us
Yeah, so what if my favorite album of the year is my own band's. I'm not gonna try to fool anyone into thinking otherwise.
2. Guided By Voices - The Bears For Lunch
3. Mac DeMarco - 2
4. Sunfighter - Sweet Machine
Not gonna pretend about my friends either.
5. Ariel Pink's Haunted Graffiti - Mature Themes
6. Animal Collective - Centipede Hz
Yeah, it's their weakest in a while, but still great, no need to be so harsh, everyone!
7. The Mallard - Yes On Blood
I hope they'll finally admit they're way better than Thee Oh Sees now.
8. Mac DeMarco - Rock and Roll Night Club
9. Guided By Voices - Class Clown Spots a UFO
This one has their best songs of the year.
10. Tame Impala - Lonerism
Top 5 Songs:
1. Guided by Voices - "All of This Will Go"
2. Super River - "Origami Heart" - not sure if I'm just being modest here, though.
3. Animal Collective - "Applesauce"
4. Swans - "The Seer"
5. Nite Jewel - "In The Dark"
These lists mean nothing. The best show I went to this year (or ever) was BIG (now Ewox)/Johnny's Retirement Fund in my living room.
Tuesday, October 2, 2012
Animal Collective at the Hollywood Bowl
Took a while to get to this since I was busy the past week with AMAZING, unreviewable shows by Ewox, the Darflers, Sunfighter, Super River, the Spencer Owen Limited, The Midnite Snackers, The Buttgays, Spacehook, and an all-star group featuring myself, Kathryne Dameron, Alex Heerman, Miles Marsico, Alex Halitsis, Theresa Rife, and Danielle Peña.
So then the weekend before...
I didn't catch all of the first act, Huun Huur Tu, but what I saw was pretty incredible. The Central Asian group had a droning sound that mixed traditional music with the future. It was very easy to see why the members of the headlining group like them so much. The first song featured an electronics guest we nicknamed "DJ Barack Obama" because of his appearance. That part was real cool, but the rest of the set was no less future-oriented.
Flying Lotus is an artist that doesn't make my kind of music. Despite this I like most of what I had heard prior to the set, so my expectations were sort of high. I don't think he's really ideal for such a large venue, and I am certain I would have enjoyed his set much more in a smaller, more danceable venue. It had some really cool moments, but I found there to be too many dramatic changes, especially in the way of getting a groove going. Some of his bass sounds were linked to use of ecstasy, so as a drony bass player that turned me off ever trying that drug. That's the trouble with most new electronic music. However, his talent is evident, and as a local it was exciting to see him play the Bowl for the first time. His light show was quite good at times too, perhaps even more consistently than the headliner's.
If you can believe it, this was the first time I had seen Animal Collective after many years of being a fan. I instantly regretted all the times I missed out on them in smaller venues, but this show had its own set of privileges. You will seldom get the chance to see this band with such a familiar set list. There was only one new song, which I can't really remember. Most of the new record was played, and my appreciation for it grew, though not to the level of the previous four. Of those songs "Applesauce," "New Town Burnout" and the Deakin-sang "Wide Eyed" were the standouts. Their older material was represented better than I would have expected, particularly from Merriweather. The set opened with "Also Frightened" and not surprisingly "My Girls" was a major standout, but not as much as "Brother Sport" which also had the best light show. They dug out not only "Peacebone" (which sadly was brought down by the barely-believably obnoxious kids behind us), but also "Cobwebs."
I was glad to have Deakin onstage for my first Animal Collective show. His contributions on the Merriweather material was perfect, adding more to the arrangement without attracting any specific attention. Likewise, the shift to him on lead vocals made things flow even better. He played electronic percussion about as much as electric guitar. Other members (not Geologist of course) surprised me with their set-ups as well. Panda sat at a kit, though one far from traditional and very visible. However, he was seated the whole time. Avey wasn't close behind in that aspect. I had never thought of him as a keyboard player, but he was on them at least half the time, always seated, in addition to electric guitar.
As expected it was a near-perfect show, the only complaints I could give are the size of the venue and that there was too much sitting, both from the band and the audience.
So then the weekend before...
I didn't catch all of the first act, Huun Huur Tu, but what I saw was pretty incredible. The Central Asian group had a droning sound that mixed traditional music with the future. It was very easy to see why the members of the headlining group like them so much. The first song featured an electronics guest we nicknamed "DJ Barack Obama" because of his appearance. That part was real cool, but the rest of the set was no less future-oriented.
Flying Lotus is an artist that doesn't make my kind of music. Despite this I like most of what I had heard prior to the set, so my expectations were sort of high. I don't think he's really ideal for such a large venue, and I am certain I would have enjoyed his set much more in a smaller, more danceable venue. It had some really cool moments, but I found there to be too many dramatic changes, especially in the way of getting a groove going. Some of his bass sounds were linked to use of ecstasy, so as a drony bass player that turned me off ever trying that drug. That's the trouble with most new electronic music. However, his talent is evident, and as a local it was exciting to see him play the Bowl for the first time. His light show was quite good at times too, perhaps even more consistently than the headliner's.
If you can believe it, this was the first time I had seen Animal Collective after many years of being a fan. I instantly regretted all the times I missed out on them in smaller venues, but this show had its own set of privileges. You will seldom get the chance to see this band with such a familiar set list. There was only one new song, which I can't really remember. Most of the new record was played, and my appreciation for it grew, though not to the level of the previous four. Of those songs "Applesauce," "New Town Burnout" and the Deakin-sang "Wide Eyed" were the standouts. Their older material was represented better than I would have expected, particularly from Merriweather. The set opened with "Also Frightened" and not surprisingly "My Girls" was a major standout, but not as much as "Brother Sport" which also had the best light show. They dug out not only "Peacebone" (which sadly was brought down by the barely-believably obnoxious kids behind us), but also "Cobwebs."
I was glad to have Deakin onstage for my first Animal Collective show. His contributions on the Merriweather material was perfect, adding more to the arrangement without attracting any specific attention. Likewise, the shift to him on lead vocals made things flow even better. He played electronic percussion about as much as electric guitar. Other members (not Geologist of course) surprised me with their set-ups as well. Panda sat at a kit, though one far from traditional and very visible. However, he was seated the whole time. Avey wasn't close behind in that aspect. I had never thought of him as a keyboard player, but he was on them at least half the time, always seated, in addition to electric guitar.
As expected it was a near-perfect show, the only complaints I could give are the size of the venue and that there was too much sitting, both from the band and the audience.
Thursday, September 13, 2012
THE WITHERS/PEOPLE'S TEMPLE/BLANK TAPES
Firstly, I don't review local bands so no comment on the Withers in this forum.
People's Temple come from Lansing, Michigan which I would have seen as a good sign if they hadn't already been commanding the stage before announcing that. As I found out after buying both their LP and latest single they are comprised of two sets of brothers which brings me to my one detraction that they were a bit too masculine. Nothing wrong with that, especially when you never stop or slow down. This band had me hooked pretty much the entire time. Looking and sounding like everything great about the 70s their tight energetic hard rock ran the gamut from funky kraut to glammy new wave and everywhere in between. It would be unfair to call the lead guitarist the standout, but his unique Les Paul style was something to behold especially when simultaneously evoking Dick Dale and Phil Manzanera. The drumming was relentless in it's power and as Miles commented, the player reminded him of Grant Hart at his peak. The songs made you move while frying your brain which is really what I look for most in a band. Towards the end of the set there was one real stinker though that made me question if I had even liked them up to that point despite witnessing the best harmonica playing of my life mere moments before. I don't know what happened but they recovered and solidified their status as the best 70s rock band you will live to see.
I didn't stick around for much of Blank Tapes for personal reasons, but that's okay. They were from San Francisco and it was really obvious. In fact they should be called "Four Nice Kids from San Francisco," but then no one would see them. The bassist wore a goofy hat and played a violin bass, the girl played a snare and floor tom with mallets and the twang in her voice wasn't sincere. The guy playing a hollow body guitar was a better vocalist, but the whole thing was just too light. Then there was a guy with glasses and one tambourine in the back.
I haven't listened to the People's Temple records yet, but that will change soon. Either way they are to the 70s what the Brian Jonestown Massacre was to the 60s.
People's Temple come from Lansing, Michigan which I would have seen as a good sign if they hadn't already been commanding the stage before announcing that. As I found out after buying both their LP and latest single they are comprised of two sets of brothers which brings me to my one detraction that they were a bit too masculine. Nothing wrong with that, especially when you never stop or slow down. This band had me hooked pretty much the entire time. Looking and sounding like everything great about the 70s their tight energetic hard rock ran the gamut from funky kraut to glammy new wave and everywhere in between. It would be unfair to call the lead guitarist the standout, but his unique Les Paul style was something to behold especially when simultaneously evoking Dick Dale and Phil Manzanera. The drumming was relentless in it's power and as Miles commented, the player reminded him of Grant Hart at his peak. The songs made you move while frying your brain which is really what I look for most in a band. Towards the end of the set there was one real stinker though that made me question if I had even liked them up to that point despite witnessing the best harmonica playing of my life mere moments before. I don't know what happened but they recovered and solidified their status as the best 70s rock band you will live to see.
I didn't stick around for much of Blank Tapes for personal reasons, but that's okay. They were from San Francisco and it was really obvious. In fact they should be called "Four Nice Kids from San Francisco," but then no one would see them. The bassist wore a goofy hat and played a violin bass, the girl played a snare and floor tom with mallets and the twang in her voice wasn't sincere. The guy playing a hollow body guitar was a better vocalist, but the whole thing was just too light. Then there was a guy with glasses and one tambourine in the back.
I haven't listened to the People's Temple records yet, but that will change soon. Either way they are to the 70s what the Brian Jonestown Massacre was to the 60s.
Wednesday, September 12, 2012
The Mallard with Thee Oh Sees and Sic Alps 9/9/12
Wow, it's been a real long time since I posted, but it takes a lot to motivate me away from my own band Super River which has occupied most of my time for the past year.
So I went to this show with three of my band mates Sunday night. We missed the first band that played. I heard they were good, but that came from someone whose taste I question. We were planning to miss the second band as well, but thank god that didn't happen.
The curtain went up at the El Rey and the four-piece was lined up in a row. Apparently they don't do that all the time which is disappointing but immediately my eyes were locked on their drummer despite him being flanked by two beautiful women slinging guitars. His beats and motion were unlike anything else I've seen, innovative, clean, yet painful. It helped that everything else about this band was great. They had a cohesive noisy sound with by far the best energy and songwriting I saw all night. While performing they were such a single unit it was impossible to tell if they even had a single leader. I found out later it's frontwoman/guitarist/songwriter/engineer Greer McGettrick, but what can you do? The rest of the band was no less talented, especially evident after lead guitarist and bassist switched instruments and revealed themselves to be better in the latter role. We seemed to be the only people in the audience who got it, sadly, despite for the relatives of one member standing near us. Well with that crowd what could you expect...
The Sic Alps were revealed and their hippie-ish lead guitarist stuck out the most. His playing was one of the best parts, but who cares? The singer and drummer were both wearing baseball caps which begged the comparison to the Beastie Boys. It was embarrassing, especially after I heard that the band used to just be the two of them. So apparently they used to not have a bass player. More on that later... Bottom line they lacked any essence, I couldn't even tell what they were going for. None of us could! I may have thought they were okay apart from the aesthetic if I hadn't just seen the Mallard, but I was the lucky one, not them.
Then there was Thee Oh Sees. For years this band had never connected with me. I had just been waiting them to be my next Deerhunter and finally catch up and hear what I'd been missing. Turns out I wasn't missing a thing. Judging by the crowd's reaction, the band's energy and enthusiasm, and the tightness of the songs I am certain this was not just an "off night."
If I hadn't already known that this "band" was a product of the god-awful New England hardcore scene of yore I would have known it instantly. It's like ska, even if you move to SF and drop a lot of acid that's still what you are. Then I see there's no bass player, just some skinhead with a guitar and an octave pedal playing repeated bass lines like a machine. Wow. This review should end there. It's almost always the worst choice to not have a bass player (local newcomers Spaceships suggest otherwise), but if you're gonna cut it at least CUT IT. So I stood there for hours of this hardcore kid soloing while his backing band did a job that could be done more easily with Fruity Loops. This band I from now on will describe as "The Olive Garden of Psychedelia" was actually more boring live than on their rushed, spotty records.
So basically buy the below record and forget the other two bands exist. If you're reading this I'm sure you don't have time for them.
So I went to this show with three of my band mates Sunday night. We missed the first band that played. I heard they were good, but that came from someone whose taste I question. We were planning to miss the second band as well, but thank god that didn't happen.
The curtain went up at the El Rey and the four-piece was lined up in a row. Apparently they don't do that all the time which is disappointing but immediately my eyes were locked on their drummer despite him being flanked by two beautiful women slinging guitars. His beats and motion were unlike anything else I've seen, innovative, clean, yet painful. It helped that everything else about this band was great. They had a cohesive noisy sound with by far the best energy and songwriting I saw all night. While performing they were such a single unit it was impossible to tell if they even had a single leader. I found out later it's frontwoman/guitarist/songwriter/engineer Greer McGettrick, but what can you do? The rest of the band was no less talented, especially evident after lead guitarist and bassist switched instruments and revealed themselves to be better in the latter role. We seemed to be the only people in the audience who got it, sadly, despite for the relatives of one member standing near us. Well with that crowd what could you expect...
The Sic Alps were revealed and their hippie-ish lead guitarist stuck out the most. His playing was one of the best parts, but who cares? The singer and drummer were both wearing baseball caps which begged the comparison to the Beastie Boys. It was embarrassing, especially after I heard that the band used to just be the two of them. So apparently they used to not have a bass player. More on that later... Bottom line they lacked any essence, I couldn't even tell what they were going for. None of us could! I may have thought they were okay apart from the aesthetic if I hadn't just seen the Mallard, but I was the lucky one, not them.
Then there was Thee Oh Sees. For years this band had never connected with me. I had just been waiting them to be my next Deerhunter and finally catch up and hear what I'd been missing. Turns out I wasn't missing a thing. Judging by the crowd's reaction, the band's energy and enthusiasm, and the tightness of the songs I am certain this was not just an "off night."
If I hadn't already known that this "band" was a product of the god-awful New England hardcore scene of yore I would have known it instantly. It's like ska, even if you move to SF and drop a lot of acid that's still what you are. Then I see there's no bass player, just some skinhead with a guitar and an octave pedal playing repeated bass lines like a machine. Wow. This review should end there. It's almost always the worst choice to not have a bass player (local newcomers Spaceships suggest otherwise), but if you're gonna cut it at least CUT IT. So I stood there for hours of this hardcore kid soloing while his backing band did a job that could be done more easily with Fruity Loops. This band I from now on will describe as "The Olive Garden of Psychedelia" was actually more boring live than on their rushed, spotty records.
So basically buy the below record and forget the other two bands exist. If you're reading this I'm sure you don't have time for them.
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