Tuesday, July 14, 2009
The Heavenly Touch of the Synthesizer
After seeing their album and hearing their name so much I was assuming that Black Moth Super Rainbow was just like Animal Collective at their worst (at a time when I was "washing my hands" of them). I finally gave them a chance and was pleasantly proven wrong and they became a part of my every day life for a few weeks last summer. What is so amazing about them is that they are the first band since the synth-pop explosion to really show the beauty of the synthesizer. By the time of BMSR's breakthrough, their primary instrument had become much-maligned as a music machine with no depth and nothing but artificiality. We all know that the instrument of Kraftwerk, Gary Numan, and Dane Conover could never be such a thing! Where AIR had made the analog synth hip and pretty, this group from Pittsburgh reminded everyone just why Walter (at the time) Carlos' Switched On works were so popular. BMSR shows just why these great tools were invented- to eliminate all restrictions of live music creation, and through their dedication to vintage instruments proves just how much the likes of Robert Moog succeded. This is a brilliant and transcendent record that comes as much from the woods of Western Pennsylvania, as it does from the blissed-out mind of a modern music geek. Great for almost any occasion.
Black Moth Super Rainbow - Dandelion Gum (2007)
Labels:
00s,
Bizarre,
New Weird America,
Pittsburgh,
Psych,
Synth-Pop
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